#and how well written this show is

[every-moment-a-different-sound]

Ok so the moment in Episode 3 after Charles meets Monty for the first time just won’t leave my brain. I’ve seen a bunch of posts about how Charles is jealous in this moment, and I 100% agree.

But I also think he’s being a bit self-destructive and feeling somewhat abandoned here as well.

He’s just spent the night trapped in a loop reliving his trauma. From Charles’s perspective, he’s just spent the night not being able to save a family from abuse. He wasn’t good enough to help them- at least that’s how I imagine it would feel to him.

They’re walking back from the Devlin house, not even inside the Tongue and Tail yet, and Edwin starts flirting with talking to Monty. When Monty talks about it being a perfect morning to do an astrology reading for him, Edwin glances at Charles, and Charles instantly starts talking to Crystal to give Edwin privacy for his chat with Monty. But Crystal says that the murder loop drained her so she’s going upstairs, and the moment everyone’s backs are turned Charles just looks so sad.

Charles watches Edwin and Monty talking for a moment, clearly seeing that Edwin’s enjoying himself, and pulls this face.

I think it’s jealousy, but I think it’s also that after the night he’s just had, he wants comfort. He wants his best mate. But Edwin’s too distracted by Monty and Crystal’s tired, and I don’t think Charles knows how to ask for comfort, or feels that he deserves it. Again, from his perspective he’s just spent hours failing to help people that are going through the same abuse he did; why would he deserve comfort?

So he just walks off. No parting words to Edwin. He just leaves.

[lotus-pear]

finally finished nana and i fear i will never be able to emotionally recover

[sp0o0kylights]

Bullshit.

The word rings obnoxiously in Steve’s ears as he pushes his way out back, not wanting to be anymore of a talking piece at this party than he already was.

He’d just wanted Nancy to stop drinking, take a second, pace herself…

Steve swipes furiously at his eyes, and then curses when it nearly causes him to run into Chrissy Cunnginham, who’s perched in a chair tucked away from the patio door.

“Sorry, sorry.” He apologizes, trying not to sound like he’s upset, trying to keep his cool--only for her to look up and away, brushing off her own tears.

“Oh.” Steve says, a little laugh bubbling out of him. “You too huh?”

Thankfully she correctly interprets that he's not laughing at her, and adds her own giggle to the mix, the sound gentle even if pitched in upset.

"Boy problems?" Steve asks her, sinking down to the vacant chair on Chrissy's right.

She nods, clasping her hands together in her lap.

"Girl problems?" She asks back, and he grimaces a smile.

They sit for a minute, Steve pulling out a cigarette and offering it to her before lighting up. Chrissy shakes her head, and though her nose curls a little at the smoke she doesn’t say anything.

Neither of them do, staring at the few people bringing the party outside in the way only drunk teenagers can.

"Can I tell you something?" Chrissy says finally, as Steve continues to struggle to keep himself breathing evenly (and not spiraling. He still has to go back and try and escort Nancy home, and he needs to keep his temper when he does it.)

She licks her lips. "I keep trying to break up with Jason, but he won't let me."

It takes a second for the words to register, but when they do he leans himself towards chrissy in concern. “What do you mean, he won’t let you?”

“He’s not--it’s not…”She trails off, worrying her bottom lip with her teeth. “He talks me out of it is all.”

She’s downplaying it, and Steve’s concern grows tenfold. “Does he argue with you or just…tells you no or something?”

"It's complicated." Chrissy says, refusing to look at him. "He has this vision for me, for us."

Steve watches as she worries at a hangnail.

Feels the need to reach out and take her hand, but keeps his own hands to himself.

If Steve has learned anything, it's that not everyone wants to be touched as much as he does.

"He keeps telling me I'm just being anxious. That I should trust him, and I do, he just expects me to always do what he says? And more and more lately I--"

She huddles down into the little cat costume she's wearing, pulling the thin black sweater around her. "I want different things than he does."

Steve wonders vaguely if Nancy wants different things.

Or a different person entirely.

"That's not fair to you." Steve says, leaning forward and lowering his own voice. "He can't keep you in a relationship you don't want to be in."

A hard thing for him to say, after the bathroom conversation but this is different.

‘Please, let this be different.’ He thinks, before pushing the thought aside.

"He can't force you to do what he wants just because he wants it, or thinks its best. He should be listening to you and what you want too. Relationships are about…compromise right?” It’s what he’s heard anyway, though most of the time “compromise” means “letting the other person get what they want.”

Which is what he thought he’d been doing for Nancy all this time.

“I can help you if you want. Be your," Steve poorly mimes waving a pom pom. "cheer support."

Chrissy looks at him, eyes still wet. "You would?"

"Of course.” He says, before scooting just a smidgen closer. “Might have to ask you to return the favor though. Nancy said some things tonight and I could really use a second--”

A loud curse makes them both startle, interrupting Steve.

Together, they look around before another noise, like bark being scraped, draws both their attention to the large oak that stands in the backyard.”

"Is…is that Eddie Munson?" Chrissy asks.

"I think so."

Chrissy squints a little, as if not quite believing what she's seeing. "Is…he stuck in a tree?"

Steve finds himself staring in his own disbelief, hands moving to his hips as he watches Munsons wriggling, cursing form.

"I think so." He repeats with a shake of his head.

Eddie's foot slips off a branch, once, twice.

"Hey--" Steve calls out in warning, but unfortunately it comes too late.

The branch under his foot gives away with a startling crack! as another branch shreds Munson's jacket as his full weight caches on it.

"Oh!" Chrissy gasps, hand flying to her mouth as Eddie falls right onto his ass with a yelp.

"You good man?" Steve asks, rising from his chair, hesitant to go over but needing to make sure the idiot hasn't cracked his skull open.

Chrissy has no such qualms, popping up to run over to Munson.

"You're bleeding." She tells him worriedly, dropping to her knees to get a better look.

"Well shit." Munson says with a wonky grin. “I’m sorry.”

“What are you apologizing for?” Chrissy asks, as Steve’s newly honed babysitting instincts kick in and drive him to get up and look at Munson’s injury himself.

Chrissy carefully strokes the older teen’s hair out of his face, as Steve bends down to check his head and neck.

"You hurt anywhere?" He asks, spotting the scratch that had Chrissy worried.

It’s on his forehead--the guy must have knocked his face against the tree when he fell. Head injuries always bleed a ton but this one's well contained to a small scrape.

Probably not a concern, though Steve looks at his pupils anyways.

"Nah, I’m pine. I didn't mean to drop in on you guys.” He waves a hand behind him before dropping his voice to a dramatic whisper. “I knew I shouldn’t have trusted that tree, it was pretty shady.”

Steve, long trained by Dustin, narrows his eyes. "Are you making puns right now?"

"Maybe?" Munson hedges, looking delighted to have been called out.

“Uh huh.” Steve puts his hands back on his hips, straightening up from where he’d crouched down. “Your head okay? You remember your name and shit?”

“Edward Edwardian Munson, present and ready for duty!” He gives a mock salute, before dropping Chrissy a wink. “If the duty is drinking and playing games that is.”

“Your middle name cannot be Edwardian.” Chrissy laughs.

"It is!" He defends, at the same time Steve says,

“It's not "

“Oh?” Munson challenges, as if this entire situation isn’t ridiculous. “Then what is my middle name, Sir Steven?”

“No idea, but I know it’s not that.”

Munson blows a raspberry at him. “Well then, maybe you should mind your own beeswax."

"Like you were doing? Up in the tree right above us?" Steve banters back.

The playful look dies a little, Munson beginning the painful process of standing after one falls.

"For the record, I absolutely was not eavesdropping, you guys just happened to be under the tree I climbed and I was there first. " He says it rapidly, like he's used to being accused of such things, and is heading off as many problems as he can.

Steve just ignores it, opting instead to hold his hands out. One to Chrissy and one to Eddie.

Watches surprise cross the older teens face, even as he waits for Chrissy to get up before accepting Steve's hand.

"Why were you up a tree? The family dog run you up there?" Steve grunts as he pulls the metalhead up.

"Funny." Munson quipped sarcastically. "But no. I was up there for reasons."

'Reasons.' Steve mouths, and has to fight himself to keep from grinning.

"Even though I was there first, I did happen to hear some things." He looks at Chrissy, voice turning serious. "If you need any help getting things through Carver's thick skull I'd love to lend a hand."

"You would cheer for me too?"

"Oh absolutely. I'd make a far better cheerleader than Harrington here." He shoots a grin towards Steve to take the edge off the words, before doing a far more enthusiastic mimicry of the cheerleaders pom pom routine.

"But I know how much Carver hates the word no. If you break up with him and he gives you shit after, I'm happy to step in."

Steve hadn't actually thought about that yet, but given what he knew of Jason it makes sense.

He could easily see Chrissy worrying about Jason harassing her after the break up.

"Thank you. Both of you." She sniffs. "Eddie, are you sure you're okay?"

"Right as rain!" Munson gives a rather theatrical thumbs up. "I'll let you in on a family secret, we Munson's have rubber bones."

She gives him another giggle for his efforts, and even Steve can’t fully cover his

Munson, the ass, notices.

“Well call me the court jester, I got both the King and Queen to smile!” He cheers.

Steve rolls his eyes, but doesn't deny it.

"Chrissy!?" Someone barks, loud in the otherwise quiet backyard.

"Speak of the devil." Eddie drops his voice dramatically as Jason strides out of the house.

"I've been looking for you." He chides, two of his friends following close behind.

They're younger members of the basketball team, ones Steve's brain sluggishly attempts to remember.

"Are your knees dirty?" Jason asks Chrissy, disgust tinting his voice as he slowly looks from her to Munson next to her.

His eyes narrow, expression almost offronted.

"You heathen." Jason snarls, stepping forward with a fist clenched.

It was a move right of the sitcoms Steve swore he didn't watch, and it looked just as cheesy in real life as it did on screen.

"Calm down." Steve speaks up, hands going to his hips.

Jason's head jerks as he registers him, so focused on Munson that Steve slipped his notice entirely.

"Harrington?" He asks, as if Steve could be mistaken for anyone else here.

Steve gives him jazz hands in return.

"What are you doing out here?" Jason speaks only to Steve, whole body angling towards him like he's the only person who matters.

It's something Steve's dad does, if there's a businessman he considers to be an equal in the room. Zoning in on them, so he can subtly work in ways to make them feel inferior.

It's narcissism at its core (or so says his mother, when she's blitzed out on too many glasses of wine.)

"Talking to people." Steve deadpans. "If you're looking for beer, you walked past it."

Jason entire face pinches, like he just stepped in dog shit. "No one just talks to Munson."

It's a stupid thing to say, and whatever Hason was trying to imply with it wasn't appreciated.

"Well mark me as the first." Steve's hip cocks, voice frosting over.

Surprise washes across Munson's face, though he remains silent as Steve deals with Jason.

Probably a smart move, given how Jason seems to be eager for a fight.

"Whatever it is you're doing, you can leave Chrissy out of it." He says, and god his voice even sounds like Steve's dad.

"Chrissy," Steve says, with an eyebrow raise he knows looks judgemental, "can speak for herself."

He turns to face her, inviting her to the conversation, in the same way he'd always wished someone would invite his mother to speak against his father.

Watches as the cheerleader bites her lip, trying hard to hide the tears that have sprung to her eyes--but proves that she's stronger than Steve's mother ever was.

She steps forward, taking the opportunity offered to her with a steadying breath. "Jason--"

"You can explain it to me later." Her boyfriend waves her off, like she was a waitress offering water and not his partner.

Uncaring entirely that she's clearly upset.

That she wants to talk.

Munson has come to stand on Chrissy's other side, gone still in a way Steve's never seen him do.

It's downright weird for a guy who's normally always moving, and Steve knows it's defensive.

He's feeling a little defensive himself right now, though he doesn't want to particularly untangle why.

"Jason, listen to me." Chrissy tries again.

In his preffery vision, Steve spots a flash of familiar color. Turns his head automatically, seeking it out--and sees Jonathan hustling Nancy across the room.

The younger man is trying to balance Nancy while opening the front door, and for a second Steve almost beelines for them, except--

Except.

Nancy's whole body moves in what Steve intimately knows is an exhale, leaning her head in the crook of Jonathan's shoulder.

One arm wraps around his waist, as Jonathan finally gets the door open, and Steve watches with a stunned sort of horror as his girlfriend presses a kiss to Jonathan's shoulder.

It's fine.

He's fine.

Nancy was just--drunk. Seeking comfort. She didn't know what she was doing. She didn't mean it like that, she didn't--

"Oh shit Harrington." Jason drawls, a lazy sort of taunt. "I think Byers just stole your girlfriend."

Steve's head snaps back to him, the emotions he was attempting to box up flying to the front of his brain like dogs who slipped their leash.

"Never thought a priss like Nancy would be easy like that, but then, you never were the kind of guy to inspire loyalty." Jason continues, clearly ignoring his own girlfriend and all Steve can see is red.

Munson sucks air between his teeth next to him, nervously eyeing Steve while Chrissy's eyes have gone wide with shock and growing anger.

"Jason!" She admonishes, but he's not even looking towards her.

That too sharp smile is all for Steve.

He thinks of Nancy, the way she'd been so angry with him but so gentle with Jonathan.

He thinks of the monster he faced down in the Byers house, the terror that had shrank down to that same adrenaline soaked focus he had on the basketball court.

He thinks of this asshole Junior in front of him.

Making Chrissy cry just because she'd been kind enough to try to help Eddie, and accept Eddie's kindness in return when the weirdo tried to help her and Steve both.

Steve taps his foot, then switches his stance.

'Plant your feet.' Hargroves voice snarls in his memory and Steve wouldn't be surprised if the asshole abandons the keg long enough to come watch this.

Have his turn at heckling, just because he can.

Steve plants his feet anyway.

"You know what Carver?" He says, hands dropping from his hips.

Jason's face curves into a smile. "What?" He says, tone smarmy.

"You're full of shit."

Hand cocking back of its own accord, Steve puts every bit of himself into his punch.

Feels it reverberate up his arm as his knuckles connect to Jason's cheek.

It's going to hurt later, but right now all he can do is stand over Jason as the asshole's head snaps sideways, legs staggering him backwards until he's falling into his friends.

Chrissy gasps, Jason's boys chanting variations of 'Oh shit!'

Steve just glares him down.

The junior wipes his bloodied mouth, letting his friends push him up before shrugging them off.

"You're going to regret that." Jason snarls, and Steve squares up a second time, expecting to be rushed, when the sharp snickt! of a switchblade freezes them both.

"I think we're done here." Munson says, knife in hand.

The blade he holds is stained a deep, russet red. Crusty flakes fall off it, drifting gently down to the patio floor.

Jason's eyes boggle at it for a moment before he stands up straight.

"Now it makes sense. You're weak, Harrington, letting the Freak get his claws into you." Jason spits bloodstained saliva down at Eddie's feet. "No wonder Coach wants Billy as co-captain!"

Steve just scoffs.

"Chrissy!" Carver barks, making the poor girl jump. "Come here, we're leaving!"

Trembling, but stepping closer to Steve, she shakes her head.

"Chrissy." Jason orders again, and has the audacity to point to his feet, like a man commanding his dog.

"No." Chrissy says it quietly at first, voice a little shaky, before she seems to realize it.

She stands taller, repeats herself in a stronger voice. "No, Jason. We're done."

Jason stares at her, hard. "Chrissy, your mother told me to bring you home. So I'm going to take you home and get you away from this--demon and his lackey!"

It doesn't sound loving.

It sounds like a threat.

He steps forward, hand out to grab her arm and Steve tenses, shifting to step in front of Chrissy.

Eddie beats him there.

The word demon seems to awaken something in him, because his face is now grinning theatrically, voice dipping low in pitch.

"You heard her, Carver. She said no, and even I respect a lady's wish. So run along now," he walks two fingers in the air, from the hand not waving the knife around. "before I decide to make you and her both one of mine, just as I did Harrington!"

Jason actually crosses himself, before making one last attempt for Chrissy.

"That monster is dangerous. if you don't come with me, I'll have to alert your parents." He locks eyes with her. "For the good of your soul."

Steve snorts at that crock of shit, but Eddie lunges forward, slashing the knife in the air.

It's nowhere near Jason, but the guy leaps a foot back anyway.

"Begone!" Eddie booms, and that's all it takes for Jason and his cronies to huff and puff and stride away.

He keeps his arms in the air for a few beats more, before dropping them when it's clear Jason won't be back.

"So I'm yours, huh?" Steve drawls, as Eddie finally puts his hands down and turns to face them.

The guys scary face drops into something almost excited, and Steve can practically see the adrenaline crackling through him.

"Hey it worked. Carver's a religious nut, he goes running anytime you even hint at Satan." Eddie shrugs, grinning wildly. "Put on a little show and poof! Him and his flying monkeys melt away!"

He mimes melting and Steve stares at him for it, until he hears Chrissy laughing next to him.

Eddie grins at her and Steve is hit with the realization that it was for her benefit. To make her feel better about her psycho ex.

Something fond and familiar winds through his chest as the other boy bows.

He refuses to put a name to it.

"Did you paint your knife?" He asks instead, rubbing the hand he hit Jason with.

"What?" Eddie asks, startled out of his court jester act.

Steve nods to his hand holding the switchblade. "That's not blood, it's way too red."

"Ah." Eddie turns the grin back on, and this time it's for Steve. "Yeah, it's uh. Modeling paint. Not like Carver would know the difference."

Unspoken was the fact that he hadn't thought Steve would.

Prior to last year, he'd have been right.

Drunken cheering erupts into wild yells inside, breaking whatever spell the three of them were under.

Hargrove's voice is the loudest among them, and the dude is definitely wasted.

Steve has a feeling Hargrove also knows the difference between paint and blood, rendering Munson's knife trick useless if the dick tried to start something.

"Do you want a ride home, Chrissy?" He asks quietly.

"If it's not a bother." She says, wiping tears shed refused to let fall from her eyes.

Chrissy Cunningham was a lot stronger than people gave her credit for.

"Come on, Munson, I think it's time we all make our exit." Steve says, finding himself weirdly unwilling to leave the older teen behind.

Eddie could hold his own, but given how badly things were playing out Steve figured it was best if they all just called it a day.

"Yeah lemme just…" Munson puts his blade away, fumbling at his pockets for a moment before turning and snatching up a metal lunchbox.

"There! After you, my liege." He says, before opening the lunchbox to make it talk.

"My lady." He makes it say, pitching his voice high.

Chrissy breaks into giggles again and Steve rolls his eyes, but he claps his good hand on Eddie's shoulder as he walks past.

Eddie smiles at him, this one a bit softer than the others, eyes sparkling and Steve chooses not to read into that either.

The three of them walk together, Eddie splitting off to his van after Chrissy thanks him.

Part Two

[theeminentlyimpractical]

I’m sure someone has already said this but, man, I just keep thinking about the fact that the moment Ed uttered “I’m the fucking Devil, and these are the kids,” it was inevitable that they would kill him. It sets him up narratively in the same position as his father, and the only path forward requires the crew to act as the Kraken.

[applestorms]

thinking about how near refers to light at the end of the series— not really as light yagami, not even really as kira, and not quite as L, but rather an amalgamation of titles: L-KIRA, a twisted mix of two personas, masks on top of masks. no longer a person but a series of letters, a filtered voice through a screen. a man who has built his entire life in the space between lies, who cannot let himself stop for a second without the weight of his own guilt, his sins, crushing him. regrets repressed because this is the only way it could ever be, it has to be worth it, it has to, it has to, because you can’t even bring yourself to consider what it all means otherwise.

i am a firm believer that light yagami, the son, the student, the average human person, dies at the same time that L does. at least at the beginning of the series he has some semblance of normalcy to hold himself to, the Serious Student persona that keeps him walking to and from school and talking to people and eating dinner with his family at home. how many times do we really see him going outside, post-L death? how often do we see him outside of some L-based police HQ, talking to people he isn’t trying to manipulate? really, it’s no wonder he falls so far, alienated as he is from the rest of humanity. when was the last time he breathed long enough to remember what the sky looks like? hugged his mom, laughed with his sister? did he ever visit his father’s grave? does he remember what the breeze smells like? was he ever really happy? did he deny himself his only chance?

at least in the case of L and near the isolation feels intentional, a preferable choice, carefully and logically considered for all the pros and cons. light never asked for the position he fell into, that fell upon him, that he created for himself. he denies the death note being a curse, but it’s not like he could ever admit it if it was.

light’s story arc in death note really feels like a tragedy to me, specifically in the sense that he never really gets the chance to change. on a plot level this is true, much of the second half of the story post-L death is light utilizing the exact same strategies as before (taking away his ownership of the DN to Strategize, romancing a woman he doesn’t care for to use her, fighting a snarky troll of a super genius hiding behind a letter whose real name & face he cannot find), but it’s true on an emotional level too. light never really gets to grow up, he never gets the chance to truly question his ideals or goals without the world he’s built by himself crashing down around him.

i keep thinking back to the significance of matsuda asking him about his dad, how he could drag him to his death for the sake of all of this. light’s response, so truthful in its desperation, really sums it all up: he died for a reason. KIRA has to win, or his dad died for nothing. he cannot face the idea that he caused his own father’s death, so KIRA must be justice. there is no other alternative. KIRA is god, or light yagami killed his own father for a fairytale.

really, it’s so fitting that his name uses the kanji for moon. moonlight— not originating from the moon itself but a reflection, of something brighter, greater, more powerful than he could ever be. light dies the same way as every other criminal he passed his judgement upon, on his knees and desperate, pathetic, begging for life even as he knows he is doomed to the same fate of nothingness that he granted to everybody else. godhood denied. he said it himself, that he could never be anything more than a human, but somewhere in the fog he lost track of the person he once was. and it’s near’s cruelest observation that stands out the most to me in that final scene— that he never really had to be this. he could’ve stopped at any point, felt his guilt, paid his regrets, and moved on with his humanity still intact. light has spent far too long repressing and denying to ever consider that an option anymore— but there was still room for sympathy for the 17 year old kid who killed without thinking, long before he built up such a dedicated palace of lies to justify his actions and hide away his guilt.

L-KIRA dies on the floor of a dirty, abandoned building, surrounded by the people he spent years manipulating and lying to and betraying. light yagami dies in a helicopter, locked and chained to his only closest equal, holding a notebook that he would use to sound the death knell of his own fate and wearing his father’s gifted watch.

[graythursday]

‘gotham gazette’ newspaper promo for ‘the penguin’ hints at harvey dent addition to the universe— “is our legal system dented beyond repair?” + riddler crumbs :>

[spicyvampire]

Hate /heɪt/ verb -> Enduring anger focused on a particular person or group of persons. Over time hatred may generate the personality trait of hostility. Surprise /sɚˈpraɪz/ noun -> The briefest emotion, surprise is triggered by the sudden occurrence of an unexpected event. It is often a way station that leads, after more appraisal, to any of the other emotions. Fondness  /ˈfɑnd·nəs/ noun -> A liking. Guilt /ɡɪlt/ noun -> Regret about a past action [...], a feeling of worry or unhappiness that you have because you have done something wrong, such as causing harm to another person.

Atlas of emotions + Cambridge dictionary

4MINUTES (2024) EP. 6

[gunsatthaphan]

🤓🚩🫶🏻

[oneday-yourside]

Harry's world/Bad end

Inspired by Christina's world by Andrew Wyeth

[lapinlobotomy]

hollyhock

[jonsnowunemploymentera]

I’d honestly rather not talk about this topic because of the fandom toxicity that always surrounds it, but I think one of the more…should I say….interesting things to witness post HOTD has been the way fandom treats Jon Snow’s relationship with House Targaryen, and the effect that has on how they perceive his role in the larger (unfinished) narrative. Jon’s association with the Targs is more implied in the books because his parentage has not been revealed yet. But when you read the many companion stories released over the years like the Dunk and Egg novellas, The Rogue Prince, and Fire and Blood, you realize how much of House Targaryen is built around having Jon Snow as a foundation. I’m talking entire characters being Jon Snow clones or being created as a tiny hint-hint, nudge-nudge for ‘Jon the hidden Targaryen prince’. Sometimes, multiple characters within a certain period have elements of Jon; e.g., Jace, Addam, and Alyn Velaryon all being Jon Snow clones to varying degrees.

Jon was one of the very first characters ever created in this story many, many years ago. The first scene GRRM envisioned, of a family finding direwolf pups in the snow, gave birth to two characters who would be central to the entire series’ resolution: Jon and Bran. Then you read GRRM’s leaked outline and though he has since denounced it, it still says something important: Jon was always meant to be a secret royal prince. We can comfortably assume that he was created before most of the world’s history was set in stone. So when GRRM is building upon House Targaryen, which has thus far occupied the vast majority of the supplementary material, he injects elements of Jon into those characters. For example, Egg from D&E is very similar to Jon Snow personality wise. Bloodraven, who is from the same era and even has a role as Bran’s mentor in the main narrative, is created as foreshadowing for Jon Snow. Baelor Breakspear, also in these novellas, is how GRRM shows that Targaryen princes don’t always have the typical Valyrian look. Baelor favored his mother, as does Jon. Beyond just those novellas, he exists to inform on Jon, not just in look but in character too. Sometimes, Targaryen history is written to inform more tangentially on Jon’s own origins. Case in point, Prince Duncan and Jenny of Oldstones as parallels for Rhaegar and Lyanna.

Then we get to Fire and Blood which focuses so wholly on House Targaryen. And what I find interesting, and then frustrating at times, is how HOTD has morphed how we discuss this book. Because outside of HOTD, it’s easy to see how GRRM builds on Targaryen history with Jon in mind. And then we have the Dance of the Dragons. And this is where HOTD fucks up beyond measure. A lot of characters who existed during the Dance inform on Jon and his potential future. I’ve already mentioned the two Velaryon brothers, but I want to zero in on Jace because as one of the key players during this conflict, he is one of the most important ways in which GRRM links these historical characters to the (currently ongoing) main narrative. Jace is pretty much “Jon Snow if his Targaryen parent was actually the woman and he was raised as a prince”. He is so very similar to Jon in character, almost to the point of being an outright clone. And this important because one of his greatest accomplishments during the Dance was his alliance with Winterfell’s lord, Cregan Stark. This birthed the Pact of Ice and Fire, a union between the two most powerful and important families in the meta-narrative. This union went unfulfilled in Jace’s and Cregan’s lifetimes…..but Rhaegar and Lyanna flipped it over its head. Originally meant to be a union between a Stark lord and Targaryen princess whose children would have direct claim to Winterfell, the actual fulfillment of this Pact was that a Targaryen prince sired a son by a Stark lady. The result of this union, Jon, now has claim to both families’ legacies: Winterfell and the Iron Throne. Through the Pact of Ice and Fire, Jon Snow becomes one of the most important and most direct cases of narrative continuity between the current era and Targaryen history. The Dance of the Dragons unknowingly gives birth to Jon Snow.

What HOTD does is to entirely erase one of the most direct consequences of the Dance from its narrative. The show makes no meaningful reference to Jon, or the Pact, even though the author of the source material was careful in laying out just how important Jon is to the central narrative. What’s frustrating is how then they spend a lot of time talking about the prince that was promised whose song is the song of ice and fire. But then they erase Jon, the result of the pact of ice and fire, from the narrative. The worst thing about this is that HOTD has taken such a large space in fandom discussion, such that people use events from the show to inform how they engage with the written text. For all intents and purposes these have been two different narratives, but now I have to read the worst blood-supremacist takes about Jon; which is incredibly ironic given the subject matter.

I often see people celebrate that HOTD doesn’t talk about Jon, which has been a pretty big clue on either one of two things:

Many people who engage in fandom discussion post HOTD don’t actually engage with the text in its entirety. They’ve either never read the books and have only consumed them based on their online fandom bubbles, or what they have read is severely limited in scope.

Some of those who have read these books don’t like ASOIAF for what it is. They like it for what it should be for their headcannons and character-limited perceptions. Thats why they like it when certain sections of the text are outright ignored, because it’s better for their headcannons that way.

Beyond wanting new material, one of the worst consequences of these books going unfinished for me is that large sections of this fandom will be primed to ignoring one of the central characters, because all the material that’s been released outside of the published material has greatly mischaracterized the text itself. We’re now relegated to unhelpful (sometimes idiotic) arguments such as “HOTD says so, so it must be true in the books”. HOTD is taking creative liberties, and we should respect that. And we should also acknowledge that some part of HOTD is continued from Game of Thrones, which didn’t do a very good job of adapting ASOIAF or its characters in the first place. Cutting out the Pact of Ice and Fire (as far as we know) is one of the worst narrative changes made by the HOTD show runners in terms of establishing common context with the story many viewers are already aware of. And it sucks that with that show’s massive popularity, future ASOIAF adaptations will follow suit in completely disregarding important elements of the overall narrative. But hey, at least dragons look good.

[unrealisticallyyours]

obligatory TW rewatch scott appreciation post bc he's so interesting and fun as a character

i genuinely adore how the writers gave scott such a loving personality? like his first instinct when he meets allison is to give her a pen because he heard that she needed one. he tags along with stiles ep 1 because stiles wanted to see the body (why would an asthmatic with school in the morning want to go traipsing out into the wilderness to see a dead body??). throughout the series he takes in strays (lol) even if they've ACTIVELY TRIED TO KILL HIM in the past. and the part that i love the most is how the writers gave him room to be a bad person, too. they gave him moments where he was a bad friend, a bad boyfriend. but they didn't make those moments ones that outshone his real personality. they were treated like moments he grew from and made him into an even kinder person.

scott doesn't get the love he deserves imo he's such a well written character and someone i strive to emulate

[boobchuy]

hell yeah

[ineed-to-sleep]

What if we fell in love and you died LMAOOO what then

[christiangeistdorfer]

morning i'm going to be zhe vorld championship today

NIKI LAUDA & JAMES HUNT at the 1976 JAPANESE GRAND PRIX

[duckiemimi]

dandadan fills the well-written-female-characters shaped hole in my heart.